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Using Elastic Audio in ProTools 7.4

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In this tutorial, Jeff Dykhouse demonstrates how to use the power of ProTools 7.4's - Elastic Audio. Elastic Audio allows you to easily change the tempo and timing of your sound files without cutting up your tracks. Here Jeff uses Elastic Audio to fix an "out-of-time" guitar track.  This kind of fix would have taken longer using the old Beat Detective or manual cut and nudge methods.  Elastic Time makes it really easy. This tutorial is taken from the upcoming ProTools 7.4 tutorial. For this and many other tutorials visit us at www.HowAudio.com.

Channel: Howto & Style
Uploaded: November 30, 1999 at 12:00 am
Author: HowAudioTV

Length: 07:33
Rating: 4.74
Views: 37953

Tags: Audio  dykhouse  Elastic  Music  pro  ProTools  shift  time  tools  

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Video Comments

dellamancia (November 30, 1999 at 12:00 am)
Hi,I am working in films and sometime need to replace a dialog that has been recorded on set with another one that has been recorded in the studio ( they are saying the same thing just the one on set might have some noise or the delivery is not great) so there will be some slight variation in the timing. Will Elastic Audio be a good instrument to replace the dialogs?
rey777777 (November 30, 1999 at 12:00 am)
My Elastic Audio botton doesn't open. Why is that? Help me pls. - I have ProTools LE 7.4.2, iMac (Leopard)
Az00ra (November 30, 1999 at 12:00 am)
Cheers man. Very helpful tutorial.
Etcher (November 30, 1999 at 12:00 am)
Interesing idea, never thought of that approach
jrod9900 (November 30, 1999 at 12:00 am)
I had the same problem. That's a good idea.
mfjproductions (November 30, 1999 at 12:00 am)
So can you use this same tutorial if you have accappella vocals and you want to add a new instrumental under the vocals to create a remix?
HowAudioTV (November 30, 1999 at 12:00 am)
Yeah, he should have played it perfectly because that would make for a more interesting tutorial on how the feature works . . . .
remoman (November 30, 1999 at 12:00 am)
or... the guitarist should practice a bit more and pay his dues before coming to the recording session.
remoman (November 30, 1999 at 12:00 am)
if you are recording heavily distorted guitars also record a dry DI from the guitar at the same time. This way you will be able to see all the transients and you can group the DI and the distorted track and use the DI track as an edit guide for the ditsto track.
adammakarita (November 30, 1999 at 12:00 am)
pretty sure that monophinic/polyphonic algorithm has nothing to do with weather theres chords or not
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